By paulgillin | January 17, 2013 - 9:22 am - Posted in Fake News

People have debated for some time what is the average age of a daily newspaper reader in the U.S. Eric Alterman said it’s 55 in a 2008 piece in The New Yorker, and the consensus is in that range. Now Alan Mutter has run some Pew Research numbers and looks at the number another way.

According to Pew, less than 10% of people under the age of 30 reported that they had read a newspaper the previous day. In comparison, nearly 50% of adults over 65 had done so. Seventy-four percent of U.S. newspaper readership is concentrated in people over the age of 45, while that age demographic group represents only 39% of the population. And that group is getting older and dying while the under-45s are not.

What do all the numbers mean? “The industry is failing to replace older readers with younger individuals,” Mutter writes. “At some point, the newspaper audience may contract so severely that (a) publishers cannot attract enough advertisers, (b) publishers no longer enjoy the economies of scale necessary to print profitably or (c) both of the above.”

Few advertisers want to reach people over the age of 50, and almost no one wants to reach 65-year-olds. People in that age group often live on fixed incomes, have no children at home and very modest spending needs. They buy very little. Yet this is the core audience newspaper publishers have to sell to their advertisers.

A few years ago, Golin Harris CEO Fred Cook quoted an unidentified Chicago Sun-Times columnist as saying, “Newspapers aren’t dying; our readers are.” Whether a columnist actually said that or not, it’s an apt summary of the problem all mainstream media face. Watch the 6 p.m. network evening news some evening and look at the ads. They’re for pharmaceuticals, insurance and erectile dysfunction aids. Those advertisers know who the audience is. In 2010, the average age of a regular evening news consumer was 53, according to Pew. Where is that audience in 20 years? Where will the advertisers be?

The news industry’s challenge is to find products that appeal to young readers, but that requires taking risks, which is not something news executives are wired to do. The one saving grace could be that a lot of news organizations have laid off expensive senior staff and replaced them with young reporters. Perhaps those people will bring forth the ideas that enable the industry to grow again.

 

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By paulgillin | January 6, 2013 - 10:59 am - Posted in Fake News

We were just added to the 100 Best Sites for Journalists in 2012 list put together by JournalismDegree.org. Yay. Seriously, thanks for the recognition, and thanks for pointing us to some useful sites we weren’t aware of. We’ll add them to our blogroll at the lower left, which you can add to your own RSS reader by clicking “subscribe.”

List of good journalism sitesThe point of this post isn’t to toot our own horn, though, but rather to point out why JournalismDegree.org undertakes this occasional exercise (they did it before in 2009). Lists like these are all about search engine optimization (SEO), and they’re a smart way to raise visibility quickly.

JournalismDegree.org is basically a lead generation site. It lists colleges and professional development providers that offer communications-related courses. When you click through to a listed institution, you’re taken to a page on eLearners.com, where you can fill out a form requesting more information. Sponsors pay eLearners.com for each inquiry that comes in this way, and eLearners.com pays affiliates like JournalismDegree.org a commission for referring the lead.

It’s a perfectly legitimate business. Those Amazon banners you see all over the Web (including on this site) are the same basic idea. Anyone who contributes to the sale gets a small cut of the revenue.

JournalismDegree.org – and many sites like it – are very dependent on search engine visibility. It wants to be the number one or two search result for “journalism degrees” on Google, and it’s been successful in that respect. A big reason is lists like the this one. A representative sent the owner of each site on the list a congratulatory e-mail with a snippet of HTML code that easily adds a badge to the site. The code includes the alt tag “Best Site for Journalists – 2012,” which basically tells Google that JournalismDegree.org is a great place for journalists to visit.

The strategy works. JournalismDegree.org is number seven in our search results on “best site for journalists” and will no doubt move higher as more sites display its badge. Which we just did (although we changed the alt tag to something more descriptive). The more reputable the sites displaying the badge, the better it is for JournalismDegree.org.

This is smart search marketing, and any blogger or news site can benefit from its example.  Half of the equation for search engine success is in factors that you control, such as domain name, page titles, headlines and keywords. JournalismDegree.org does all of these things well. The tough part is the other half, which is getting reputable sites to link to you. One quickly way to do that is to hand out awards like this one. At least a half dozen of the sites we visited are already displaying the logo above, and more will probably follow. Which all adds up to high-quality links that fuel search success.

There are flaws in JournalismDegree.org’s list. The numbering scheme implies a hierarchy, which we hope isn’t the case because there’s no way we deserve to rank higher than Neiman or Poynter. Several of the sites on the list haven’t been updated in months and one – EatSleepPublish – has been dormant for nearly two years. Still, there’s value in the list and a lot of time and thought was put into it. We’re flattered, even though we know what the publisher’s true agenda is.

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By paulgillin | January 3, 2013 - 9:09 pm - Posted in Fake News

Back in May, the New Orleans Times-Picayune became the most recent major metro daily to reduce its print publishing schedule, going from seven to three days a week. The story must really be important, because now 60 Minutes has sent Morley Safer to cover it. Watch this Sunday, Jan. 6 on your local CBS affiliate at 7:00 p.m. Eastern and Pacific times. We will.

Here’s the CBS promo blurb:

It’s a sure sign of the digital times when the New Orleans Times-Picayune, published every day for 175 years, goes to a three-day-a-week publishing schedule. As Morley Safer reports, it’s a fate many more newspapers face as the Internet becomes the source of almost instantaneous news. What does the Mayor of New Orleans think about this? See the clip below for a preview.

 

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New Orleans Times-Picayune
By paulgillin | January 1, 2013 - 11:40 am - Posted in Fake News

Media critics have been buzzing for more than a week about “Snow Fall,” John Branch’s feature in The New York Times about a tragic avalanche that claimed three skiers’ lives in the Tunnel Creek area of Washington state early last year. Some people say it‘s the future of journalism, and they’re right – in a way. A loud chorus of naysayers who point out that “Snow Fall” is just the Times showing off. They’re right, too.

What’s important isn’t whether this package – which doesn’t fit neatly into the category of article, video documentary or e-book – is a turning point, but rather its importance as an evolution in story-telling. There’s nothing revolutionary about the technology the Times used. It’s the way the elements were combined that makes “Snow Fall” a great experience.Snow Fall Intro screen

For example, some of the graphics unfold as the reader scrolls down the screen, illustrating elements of the narrative in a way that feels seamless and natural. Embedded slide shows appear next to the names of key people in the tragedy, showing them in happier times. It’s a moving tribute to dead and their families that doesn’t seem heavy-handed or maudlin. It’s just part of the story.

Romenesko says the package racked up 3.5 million page views in its first week and that one-quarter of them were new visitors to nytimes.com. Ad Age complains that the ads the Times ran next to the copy nearly ruin the reading experience. Mathew Ingram superbly balances comments from both fans and critics. He concludes that, for all its elegance and beauty, “Snow Fall” still doesn’t address mainstream media’s frustrating fiscal woes. Laura Hazard Owen suggests that the “e-single” version of the feature – which sells for $2.99 – is an important endorsement of the growing mini-book concept.

We dropped by to see what all the fuss was about and ended spending an hour reading every last word and viewing every last video. “Snow Fall” is a visually stunning example of what a well-resourced news organization can produce when it spares practically no expense to break the mold. Few media companies can attempt something so ambitious (although there are some corporate marketing departments that could foot the bill). What’s important about “Snow Fall” is the ideas it introduces – ideas that will be adopted and iterated by other publishers on a smaller scale. We don’t think that’s showing off. It’s just being creative.

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By paulgillin | December 24, 2012 - 10:54 am - Posted in Fake News

We’ve posted quite a few final covers and front pages over the last five years but this is one our favorite.

With Newsweek set to shut down its print operations today after a 79-year run, the magazine is going out with another of its famously provocative covers. This one shows a 1940s-era photo of the magazine’s logo towering over the Manhattan skyline juxtaposed with a hash tag that represents the 21st century forces that undermined it. It brilliantly contrasts the old- and new-media worlds, and it does it without passing judgement on either (Not everyone agrees with our opinion).

Newsweek isn’t going away. It will continue online and on tablets, with a new global edition planned for February. But the passing of the print edition marks the end of an era when millions of people got their perspective on the week’s news from the the troika of Newsweek, Time and U.S. News & World Report. Only Time is still in print today, and who knows how long that will last?

Tina Brown writes about the final issue, heaping gratitude on the staff.

Newsweek's Final Cover

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By paulgillin | December 21, 2012 - 12:28 pm - Posted in Fake News

Physician and award-winning documentary filmmaker Ben Daitz (now there’s a combination you don’t see too often) Has been keeping us up-to-date on his latest project, a documentary that celebrates small-town newspapers. We haven’t had a chance to watch the whole film yet, but we like the trailer. Ben writes that the film has had “very successful screenings at festivals and J-schools and will be shown at the Newseum” in Washington.

Here’s a description. You can order a copy for $29.95 at New Deal Films.

Smithsonian Magazine once asked the rhetorical question, “Can a weekly paper in rural New Mexico raise enough hell to keep its readers hungry for more, week after week?”

The Rio Grande Sun, published in Española, NM, is considered one of the best weekly newspapers in the country. Bob Trapp, the Sun‘s founder, editor, and publisher, is the quintessential newspaperman—the last of a vanishing breed—a scrupulously honest, fearless, independent journalist, and a mentor to generations of young reporters.

The Sun is known for investigative reporting. The paper broke the story that its own rural community had the highest per capita heroin overdose rate in the country. It has led the fight for open records and open meetings in a county where political shenanigans are the rule.

The film follows the Sun’s
 reporters and editors as they write about the 
news, sports, arts and cultures of a 
large rural county.  John Burnett, a
 National Public Radio correspondent,
 reports on the Sun‘s Police Blotter—“the
 best in the country.” The Sun‘s 
journalists investigate the largest
 embezzlement in the state’s history, and the 
widespread use of tranquilizers in the county jail.

“The Sun Never Sets” is narrated by Bob Edwards, National Radio Hall of Fame and Peabody award-winning news anchor and radio host. It is an official selection of the Hot Springs Documentary Film Festival and the Ojai Film Festival, and will be screened at the Newseum in Washington, D.C.

 

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By paulgillin | December 14, 2012 - 9:32 am - Posted in Fake News

Statistics portal Statista (which we rate officially awesome) has this graphic showing that Google’s advertising revenues now exceed those of the entire print media industry put together. “Google, a company founded 14 years ago, makes more money from advertising than an industry that has been around for more than a hundred years,” writes Felix Richter. It’s actually more like 300.

The comparison isn’t entirely fair. The chart shows Google’s global gross global sales against the U.S.-only print business, and Google did pay some $4 billion in commissions to media partners. But still…

More on Slate.

Google Ad Dollars Exceed U.S. Print Media Industry

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By paulgillin | December 10, 2012 - 9:18 am - Posted in Fake News

ClickInks, which sells ink, has created an infographic that documents the rise and fall of the newspaper industry. Its SEO specialist writes, “We wanted to provide a fun and useful resource that summarizes the large decline in the circulation of newspapers over time.” We’re not sure if “fun” is the word we’d choose for this topic, but there is some useful historical information in the image. The data appears to refer to the U.S. industry, although that isn’t explicitly stated.

Click on the snip of the image below for the whole thing, including embed codes.

Infographic documents decline of U.S. newspaper industry

By paulgillin | December 6, 2012 - 1:01 pm - Posted in Fake News

Two filmmakers who identify themselves as Lenny Feinberg and Chris Foster have released a trailer for what they say will be an upcoming documentary called Black and White and Dead All Over. We haven’t seen anything more than the four-minute clip embedded here, but it appears that the authors have interviewed an impressive cast of journalists and publishers. The trailer presents a sympathetic view of the plight facing the U.S. newspaper industry, pointing out that the information people expect to find for free online has to come from somewhere, and that the institutions that provide it are in peril. As one speaker puts it, “Where is the Internet going to get its information if the newspaper in your town goes out of business?”

The documentarians provided few details about when or where the full film will be available. The URL for BlackAndWhiteAndDeadAllOver.net goes to a parked GoDaddy page. We don’t even know who these guys are. Maybe they’ll leave a comment and tell us more.

 

By paulgillin | November 22, 2012 - 11:19 am - Posted in Fake News

Journalism traditionalists who suffer from high blood pressure probably shouldn’t read this piece by Forbes editor Lewis DVorkin. In it, he outlines the role of what he calls “brand journalism” in the evolution of Forbes.com, and even in Forbes magazine. He also scolds journalists for their objections to this increasingly popular concept, saying that their interest in keeping marketing content cordoned off from staff editorial is in part an instinct to minimize competition.

DVorkin has been a vocal critic of those who cling to the traditional Chinese wall principle of strict separation between advertising and editorial. In his view, the new economics of the profession demand radical new ideas, and journalists are standing in the way. “After five years of media turmoil, the profession I love clings to the belief…that the industry’s problems are for other people to solve. And when steps are taken to solve them, my colleagues will put up a fight if they can’t do exactly what they did before,” he wrote a couple of weeks ago in a summary of the changing advertising landscape and Forbes’ adaptation strategy.

Like it or not, DVorkin’s vision of increased integration between marketing and editorial content is gaining favor in traditional publishing circles. The trend is called “brand journalism,” “native advertising” or “content marketing,” but whatever the title, it’s breaking down some traditional walls.

Business Intelligence Solutions Boston Globe promotion

Boston.com, which is the online arm of the Boston Globe, recently launched “Insights,” a sponsored advertising feature that showcases blog posts from advertisers. Boston.com is a little more aggressive about labeling Insights material as advertising than some other brand journalism practitioners, but it’s the same basic idea. The publisher appears to have no problem with participants like Business Intelligence Solutions embedding the banner ad at right on its blog, saying nothing about the sponsorship arrangement.

Some other publishers have all but erased the lines between staff and brand content. BuzzFeed, which is one of the new breed of breathless, celebrity-stuffed news sites for the ADD set, expects to derive nearly all of its revenue from branded content and sponsored posts. So far, things are going pretty well. The site was a magnet for political advertising during the US presidential campaign and is expected to triple revenues this year. Branded features, like this one from JetBlue, look the same as BuzzFeed content and carry only lightweight advertiser labeling. The Atlantic is also in the pool with Quartz, a news site that blends branded and staff-written content more or less seamlessly.

Writing on emedia, Rob O’Regan has a good summary of this trend, which has been fueled by Twitter’s sponsored tweets and Facebook’s sponsored stories. Those companies, which have no preconceptions about ad/edit separation, say these new vehicles are a resounding success. Publishers are taking notice, but a news site is not a social network. News organizations trade on credibility, and “native” ads tread into new territory. Recent research by Mediabrix and Harris Interactive found that  readers often feel confused or misled by branded content.

Mediabrix/Harris Advertising Research

Compatible Content

The reason all this is happening, of course, is that the traditional print advertising model doesn’t work in the highly targeted online world. Display advertising is the fastest growing category of online advertising, and publishers have always known that display ads surrounded by compatible content perform best. Advertisers have traditionally bought space next to compatible content, but now they want to provide the content, too, because people are rejecting traditional messaging.

Businesses are quickly glomming onto this trend. Cisco relaunched its press room last year as a news stream, hiring laid-off journalists from major business publications to write thoughtful trend pieces. Intel is doing the same thing. Coca-Cola just overhauled its corporate site as a lifestyle news magazine under the “Coca-Cola Journey” brand. Expect many others to follow.

Sponsored content is nothing new. Mobil Oil bought space on The New York Times‘s op-ed page in the 1950s. What’s different today is that a severely weakened mainstream media is willing to be more the creative than ever in placement and labeling – even if that means potentially compromising their own brands.

Is this a horrifying development? The journalism purest in us says yes, but we’re inclined to keep an open mind. Lewis DVorkin has a point when he says journalists live in a bubble.  Social media have shown that good information can come from anywhere, even from people who aren’t journalists. As media organizations have learned to their chagrin in recent years, you can’t shove anything you want down people’s throats when they have infinite choice. The same applies to advertisers.

Regardless of who the author is, anyone who publishes content is at the mercy of readers. Marketers who publish the same dreck on branded media sites that they use to fill their purchased ad units won’t see much return on their investment. If people don’t want the content, it doesn’t matter how much you pay to publish it.

So the stakes are higher for marketers, too. The question is how many of them can successfully change their perspective to think like publishers. In our experience, precious few can. The natural instincts of people who have grown up in the traditional marketing world is to sell at every opportunity, not to serve the informational needs of the audience.

This will change over time as a new generation steps in, and publishers will play a key role in effecting that change. They will need to work with their clients to make sure the sponsored content they carry is worthy of their brand. It can be done. Admit it: If you clicked on the JetBlue link above, you scrolled down the entire page. It’s good stuff, even though it’s sponsored.

The silver lining is that if “native advertising” can become a major new revenue source, it can enable publishers to re-invest in quality journalism. In the end, that’s more important than labels or Chinese walls.

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